In this talk, Dr. Elizabeth Son focuses on how Korean diasporic performance artist Dohee Lee contends with palimpsestic histories of militarized violence on Jeju Island in MAGO (2014). MAGO is a multimedia performance that integrates ritual movement, dance, music, film and motion graphics, site-specific installation, and Korean mythology with the tumultuous history of state-sanctioned violence on Jeju Island. In the talk she will discuss how the utilization and re-visioning of Korean mythology and performance practices allow Lee to "time travel," playing with different time scales, linear and cyclic, that interface with contrasting states of being.